• Bianca Kann, Massimiliano Pelletti: bridging epochs with chisel and insight, in “Aatonau!”, 19 November 2023
• Jeetendr Sehdev, 40.000 years of Artistry: Massimiliano Pelletti’s impact on branding, in “Forbes”, 9 November 2023
• Joanne Shurvell, 9 of the best London Art Exhibitions this autumn, in “Forbes”, 15 October 2023
• Massimiliano Pelletti. Eredità, in “Meer”, 30 September 2023
• Lee Sharrock, Bowman Sculpture to reveal first UK exhibition of Italian sculptor Massimiliano Pelletti during Frieze Week, in “Fad Magazine”, 25 September 2023
• Trough spliced stone and crystalline patches Massimiliano Pelletti brings a contemporary touch to antiquity, in “Colossal”, 24 August 2023
• Trough spliced stone and crystalline patches Massimiliano Pelletti brings a contemporary touch to antiquity, in “OCAA”, 24 August 2023
• Bowman Sculpture Gallery presents: Massimiliano Pelletti’s Eredità, in “Salon Privè Magazine”, 23 August 2023
• Massimiliano Pelletti. Eredità, in “Meer”, 12 August 2023
• Massimiliano Pelletti: Eredità, in “Art Plugged”, 2 August 2023
• Massimiliano Pelletti, in “GAVision”, november 2022
• Grace Ebert, Elegantly sculpted busts by Massimiliano Pelletti interpret art history through imperfection, in “thisiscolossal.com”
• Carolina Real, Massimiliano Pelletti. The philosophical interpretation of marble, in “art-summit.com”
• Antoinette Haselhorst, Massimiliano Pelletti, in “contemporaryartkeenenthusiast.com”
• Alessio Musella, Massimiliano Pelletti, alchimista della scultura, in “Art & Investiments”
• Massimiliano Pelletti, La scultura: una filosofia in forma volumetrica, in Espoarte, Anno XXI, trimestre n. 1., 2020. pp 77-79., in “Espoarte”
• Thobias van Schneider, The beautifully imperfect sculptures of Massimiliano Pelletti, in “Vanschneider.com”
• Zieba-Grodzka M., Kiedy fidiasz spotika sie z fangame, in “Label”, n. 44, 2020
• Andrea Antolin Garcia, Las esculturas perfectamente imperfectas de Massimiliano Pelletti, in “elledecor.com”
• Antòn M., Oda a la perfecta imperfecciòn, in “Container. Architecture Art Design”, n.1, Maggio 2019, pp.50-51
• Del Buono N., Rinati dal passato, in “AD Architectural Digest”, n.446, Ottobre 2018, pp.56-58
• Venere sorge dal Tirreno, in “Forte Magazine”, a. XVIII, estate 2018, p. 28
• Eric David, The Perfectly Imperfect Beauty of Massimiliano Pelletti’s Sculptural Figures, in “yatzer.com”
• Christopher Jobson, The Crystalline Busts of Massimo Pelletti, in “Colossal”
• Mattioli M., Henraux, la Olivetti del marmo, in “Sofà”, Anno XI, n. 28/2017, pp.65-69
• Mattei E., Fallen beauty. Il progetto di Massimiliano Pelletti, in “Abfly”, a. XVIII, nov-dic-gen 2016, pp. 60-64
• Canci C., Miracoulus Art, in “Forte International”, estate 2016, pp. 36-41
• Barillaro L., Elementi di scultura contemporanea, in “Small Zine”, a. IV, n. 15, lug-ago-set 2015, p.10
• Massimiliano Pelletti: contemporary classicism, in “The Photophore”